Daniel J. Keys

Artists on Art - Digital Magazine

2012-02-08T03:06:00.000-08:00

Be sure and visit Artists-on-Art.com to subscribe to what I feel is the most insightful and innovative digital art magazine available on the web today. It features timely and well written articles by some of the best known artists and collectors in the country, including Casey Baugh, Susan Lyon with Scott Burdick, Daniel Sprick, Libby Whipple, Carolyn Anderson, and more! Also look for my article "NO RULES".

From the Artists-on-Art website...

Master Artists & connoisseurs share their ideas and techniques through in-depth, interactive articles.

No fluff. No Ads. Just great articles with video, high resolution images, step-by-steps, and other interactivity.

A preview of my article...

About Artists on Art

Artists on Art magazine connects readers to master artists, their work, and the connoisseurs who embrace it. Readers enjoy a direct, thought-provoking, connection with today’s top artists; learning their techniques and hearing their ideas. Each issue contains at least ten robust articles richly illustrated with high-resolution photography, step-by-step guides, video, and interactivity. Our digital-only model combines the best of print with the power of the web, giving you constant access to your subscription from anywhere, on any internet-connected device.

June 2012 Workshops Announced!

2012-02-05T01:39:00.000-08:00

Two Workshops: Two Opportunities to Paint in Cape Cod

With Daniel J. Keys

JUNE 12 - 13 & 14 - 15

Location: The Beach Rose Inn

17 Chase Road

Falmouth, MA 02540

508-540-5706/800-498-5706

Participants will have the option to choose one of the two-day workshops described below or to combine the two for a four-day workshop experience. See registration, pricing and accommodation information to follow.

Workshop I

"Capturing the Light of the Cape”

June 12 & 13

A two-day plein air workshop, exploring the vast beauty of local gardens, inns, homes, and seascapes, and the ways with which to paint them accurately and artfully.

During each of the two workshop days, students will set up out-of-doors, at locations pre-selected by Daniel, and paint alongside him as he describes how he approaches the ever changing light and atmosphere of the Cape.

Topics covered in this workshop:

The basics of painting: Drawing, values, color temperature, edges.

Painting outdoor light: Dealing with constant change.

Composition: The importance of selecting and omitting.

Art philosophy.

Workshop II

“The Art of Still Life”

June 14 & 15

This workshop will take place inside a local artist’s studio and also span two full days. Each day, Daniel will demo for the class, and then instruct students throughout the day offering one-on-one critiques as they paint their own still-lifes using the “Alla Prima” method.

Topics covered in this workshop:

The basics of painting: Drawing, values, color temperature, edges.

Composition: Composing the still-life like music.

Art philosophy.

Rates & Workshop Packages...

For a 2 day participant not staying at The Beach Rose Inn

$250 includes lunch

$49 additional for 2 breakfasts and 1 dinner

$299 total

For a 2 day participant staying at The Beach Rose Inn (includes room, breakfast, lunch, and one dinner)

Single Occupancy: $675 plus room tax $38.80

Double Occupancy: $475 plus room tax $19.40

For a 4 day participant not staying at the Inn

$448 includes lunch

$98 additional for 4 breakfasts and 2 dinners

$546 total

For a 4 day participant staying at the Inn (includes room, breakfast, lunch, and two dinners)

Single Occupancy: $1298 plus room tax $77.60

Double Occupancy: $898 plus room tax $38.80

Deposit amount: 30%, $100 nonrefundable. Nonrefundable full payment required 4 weeks prior to workshops.

The Beach Rose Inn is located on 1.4 garden-filled acres in West Falmouth, Cape Cod—just a mile from Buzzard Bay beaches, marshes, and cranberry bogs and 200 feet from the Shining Sea Bikeway. All Guest Rooms have private baths and feature upscale amenities.

For more information www.thebeachroseinn.com or 800-498-5706

American Art Collector!

2011-09-25T00:36:00.000-07:00

Look for my work in the October 2011 issue of American Art Collector Magazine! The feature is a preview of my upcoming show with West Wind Fine Art, in Cape Cod, opening on October 29Th with a still-life demo on the 30Th.

American Art Collector, Oct. issue

Check out www.westwindfineart.com soon for more info, and visit your local Barnes & Noble to purchase your copy of the magazine today!

-Daniel

Downloadable Video Collection: Now Available!

2011-08-17T03:10:00.000-07:00

The second set of instructional videos

in my Downloadable-Video Series...

"Lauren Painting"
A FIGURE IN THE LANDSCAPE

Four Short Videos

"Lauren Painting I"

Now Available!

"Lauren Painting II"

Now Available!

"Lauren Painting III"

Now Available!

"Lauren Painting IV"

Now Available!

We've added lots of much needed close-ups to this series, so it's even more informative and detailed!

Also, because the goal of these videos is to inform, and educate, we're offering them at the special price of only $15.00 apiece!

Painting in Carmel CA.

In these quick instructional videos (approx. twenty-minutes apiece) - filmed in plein-air in Carmel California - you'll learn the basics of painting, such as...
Drawing
Values
Color Temperature
Edges
Composition

...along with the various techniques of plein-air painting, including...

Dealing with changing light and atmosphere
Blocking-in the landscape
Brush stroke techniques

...and much more!

Painting Detail

Here's how it works:

Over the next few weeks, a new twenty-minute video will be made available on this blog as well as www.danielkeysfineart.com for only $15.00. From there you'll be able to buy and download the videos right to your home or office computer. Then you can watch and re-watch the teaching videos as often as you like, grasping the information necessary to grow as a representational painter. It's that simple! And the videos will always be available for purchase, even if you don't order each one right away.

Plus, if you purchase each of the four "Lauren Painting" videos, you'll receive all four videos on DVD, along with a bonus "Q & A" session video (+ S & H).
The bonus video has answers to a few frequently asked questions, some free advice, and information to the resources that will aid in deepening your understanding of painting.

"I'm so grateful for the technology we're privileged to use today. Because of the internet, we can get information out there faster and more efficiently than ever before, and my hope is that you'll take these videos, watch them, and see for yourself what representational painting is all about. It's a truly rewarding experience!

This has been a labor of love for me and my team, and I'm so excited to be sharing it with all of you!

Look for the next short video, next week!"

-Daniel

Fall Workshop @ The Salmagundi Club

2011-07-17T23:40:00.000-07:00

"The Contemplative Still-life"
DANIEL J. KEYS
October 24Th through 27Th, 2011

Artist's Reception:
Sunday, October 23
7 - 9 p.m.

Artist Demonstration:
Tuesday, October 5Th
7 - 9 p.m.

REGISTRATION FEE:
$750 (Salmagundi Club Members)
$800 (Non-members)

For more info, contact:
Chris Ivers @ christine_ivers@yahoo.com
Or (203) 235-1417

Salmagundi Club . 47 Fifth Avenue, New York City . (212) 255-7740 . salmagundi.org

Final Video in the Summer Composition Series!

2011-07-15T03:34:00.000-07:00

~Edges and Composition~
The forth and final installment in the
"Summer Composition" Series

Four short videos:

"Summer Composition: Drawing"
Available Now!

"Summer Composition: Values"
Available Now!

"Summer Composition: Color Temperature"
Available Now!

"Summer Composition: Edges and Composition"
Available Now!

November Scottsdale Workshop

2011-07-07T16:29:00.000-07:00

"Developing a Critical Eye for Still-Life"
~
Nov. 7Th - 11Th

"Apples and Roses"
2011
20" x 16" Oil on linen

Register now for my five-day still-life workshop at the Scottsdale Artist School, in sunny Scottsdale AZ, November 7Th - 11Th.

Tuition: $585.00

Level: Intermediate - Advanced

Status: Available
Begin Registration

From the SAS site: "Each day, Keys will do a demonstration while discussing the skills necessary for creating beautiful still life paintings using “Alla Prima”methods. Following each mornings demo, the students will set up still life compositions of their own, and paint them from life, while receiving one on one instruction. During this intensive course, the students will receive insight into learning to see correctly, and develop an adeptness in the following areas: Composition, drawing, color, value and edges. This class is intended for intermediate to advanced painters. Class limited to 14 students. www.danielkeysfineart.com"

"COLOR TEMPERATURE" The Third Video Installment!

2011-07-02T22:34:00.000-07:00

"COLOR TEMPERATURE"

The third video installment in the
Summer Composition Series

"Summer Composition"

Four short videos:

"Summer Composition: Drawing"
"Summer Composition: Values"
"Summer Composition: Color Temperature"
"Summer Composition: Edges and Composition"

"Summer Composition"
2011
16" x 12" Oil on linen

iPad compatible versions are now ready for download!

Click here to purchase the video:

Note: We have found that all of the videos play best on VLC Media Player and that this last video will only play on the VLC Media Player. We recommend downloading this software on your PC...

(http://download.cnet.com/VLC-Media-Player/3000-13632_4-10267151.html?tag=contentMain;contentBody;1d)

...or your Mac

(http://download.cnet.com/VLC-Media-Player/3000-2139_4-10210434.html?tag=mncol;1)

...as a means of giving you, the viewer, the best experience possible. The program is only 20 MB on PC and 31 on Mac, so it should download in between one and four minutes, depending on your connection speed. If you have any questions or comments, our support team will be glad to help you. You can contact them at supportteam@danielkeysfineart.com.

In these quick instructional videos - filmed in my personal painting studio in California - you'll learn the basics of Alla-Prima painting, such as...

Drawing
Values
Color Temperature
Edges
Composition

...along with the various techniques and "secrets" that I use in my own works everyday, including...

The drawing block aid (a personal favorite)
monochromatic under-painting
Brush stroke techniques
My favorite art materials

...and much more!

Here's how it works:

Each week - for the next four weeks - a new twenty-minute video will be made available through an e-newsletter (like this), and on www.danielkeysfineart.com for only $20.00. From there you'll be able to buy and download the videos right to your home or office computer, Ipad, Iphone, Droid devices, or any device that has Window's Media capabilities. Then you can watch and re-watch the teaching videos as often as you like, grasping the information necessary to grow as a representational painter. It's that simple! And the videos will always be available for purchase, even if you don't order each one right away.

Plus, if you purchase each of the four "Summer Composition" videos, you'll receive all four videos on DVD, along with a bonus "Q & A" session video (+ S & H).
The bonus video has answers to frequently asked questions, some free advice, and information to the resources that will aid in deepening your understanding of painting.

If you have any questions or concerns about these videos, please contact pur support staff at supportteam@danielkeysfineart.com

2ND Video "Values" Now Available!

2011-06-29T13:15:00.000-07:00

"Summer Composition"

The second of four short-videos is now ready for download!

iPad compatible versions are now ready for download!
Click here to purchase the video:

In these quick instructional videos - filmed in my personal painting studio in California - you'll learn the basics of Alla-Prima painting, such as...

Drawing
Values
Color Temperature
Edges
Composition

...along with the various techniques and "secrets" that I use in my own works everyday, including...

The drawing block aid (a personal favorite)
monochromatic under-painting
Brush stroke techniques
My favorite art materials

...and much more!

Here's how it works:

Each week - for the next four weeks - a new twenty-minute video will be made available through an e-newsletter (like this), and on www.danielkeysfineart.com for only $20.00. From there you'll be able to buy and download the videos right to your home or office computer, Ipad, Iphone, Droid devices, or any device that has Window's Media capabilities. Then you can watch and re-watch the teaching videos as often as you like, grasping the information necessary to grow as a representational painter. It's that simple! And the videos will always be available for purchase, even if you don't order each one right away.

Plus, if you purchase each of the four "Summer Composition" videos, you'll receive all four videos on DVD, along with a bonus "Q & A" session video (+ S & H).
The bonus video has answers to frequently asked questions, some free advice, and information to the resources that will aid in deepening your understanding of painting.

If you have any questions or concerns about these videos, please contact our support staff at supportteam@danielkeysfineart.com.

New Video Downloads: Now Available!

2011-06-18T00:00:00.000-07:00

"Summer Composition: Drawing"

The first of four short videos is now available for immediate download!

"Summer Composition"

Four short videos:

"Summer Composition: Drawing"
Available Now!

"Summer Composition: Values"
Coming Soon!
"Summer Composition: Color Temperature"
Coming Soon!
"Summer Composition: Edges and Composition"
Coming Soon!

"Summer Composition"
(the painting completed for these videos)
2011
16" x 12"
Oil on linen

In these quick instructional videos - filmed in my personal painting studio in California - you'll learn the basics of Alla-Prima painting, such as...

Drawing
Values
Color Temperature
Edges
Composition

...along with the various techniques and "secrets" that I employ in my own works everyday, including...

The drawing block aid (a personal favorite)
Monochromatic underpainting
Brush stroke techniques
My favorite art materials

...and much more!

Here's how it works:

Each week, for the next four weeks, a new twenty-minute video will be made available on www.danielkeysfineart.com for only $20.00. From there you'll be able to buy and download the videos right to your home or office computer. Then you can watch and re-watch the teaching videos as often as you like, grasping the information necessary to grow as a representational painter. It's that simple! And the videos will always be available for purchase, even if you don't order each one right away.

Plus, if you purchase each of the four "Summer Composition" videos, you'll receive all four videos on DVD, along with a bonus "Q & A" session video (+ S & H).
The bonus video has answers to frequently asked questions, some free advice, and information to the resources that will aid in deepening your understanding of painting.

I'm so grateful for the technology we're privileged to use today. Because of the internet, we can get information out there faster and more efficiently than ever before, and my hope is that you'll take these videos, watch them, and see for yourself what representational painting is all about. It's a truly rewarding experience!

This has been a labor of love for me and my team, and I'm so excited to be sharing it with all of you!

-Daniel

Step-by-Step Painting Guide, Spring 2011

2011-04-29T00:11:00.000-07:00

Pick up a copy of American Artist's special publication issue of

Step-by-Step Painting Guide, Spring 2011

Featuring art lessons from me, and many of my artist friends including...
Nancy Guzik
Michelle Dunaway
Lori Woodward
Jeremy Lipking
And more!

From the AA site:

"Introducing the Very Best of Step by Step Paint Instruction. The most comprehensive collection of art lessons has just arrived!"

Available through www.artistdaily.com, Barnes and Noble, and wherever fine art magazines are sold.

Summer Workshops

2011-03-03T16:44:00.000-08:00

~ Two Summer Still-life Workshops in Carmel CA ~

June 20Th - 22ND

&

June 23RD - 25Th

Two back-to-back workshops in Carmel-by-the-Sea
With Daniel J. Keys
~

Painting in progress...

"Tea-tins and Peaches"
2011

We are immensely pleased to announce TWO still-life workshops set to take place this June in beautiful Carmel-by-the-Sea CA! Each event will occur the same week, in Carmel's beloved "Barnyard" village. This ideal space is perfect for still-life painting, and will serve as an inspiring atmosphere.

Note: These are two separate workshops, covering the same topics (one immediately after the other). Artists are encouraged to register for only one workshop apiece, to allow their fellow artists opportunity to take part in the classes.

June 20Th - 22ND

~A Deeper Understanding of Painting the Still-life in oil (first workshop)

June 23RD - 25Th

~A Deeper Understanding of Painting the Still-life in Oil (second workshop)

In these workshops, Daniel will teach the possibilities of painting well-rounded and meaningful still-lifes, using Alla-prima methods. Each morning will include a demonstration from start to finish, followed by "Q & A" sessions with Daniel. The remaining time will allow for uninterrupted instruction and student painting.

Workshop fee: $385 (per student)
Note: For your convenience, credit-cards are now accepted.

Registration is now open, and artists are welcome to sign up at their earliest convenience, however it is recommended you sign up as soon as possible. These workshops fill very quickly (sometimes within twenty-four hours), and space is very limited.

To register, please email your interest and info to: danieljkeys@danielkeysfineart.com

Upon receiving your notice of interest, an email will be sent confirming your place in the workshop - giving further information needed to participate (i.e. supply list, hotel and restaurant recommendations, etc.)

Don't miss your opportunity to paint with Daniel in stunning Carmel-by-the-Sea. These are his only two workshops scheduled on the west coast this year!

"This is going to be a very exciting time at the coast. I'm looking forward to painting with everyone in Carmel this June!"

-Dan

Spring Workshop Scheduled!

2011-01-24T21:10:00.000-08:00

Three-day Still-life Workshop
In Vermont

April 20th - 22nd

"Tea-Tins and Peaches (in progress)"

2011

~Exploring the Elements of Still-life Painting~

"Tea-Tins and Peaches (detail)

Register for another three-day painting experience, in Putney Vermont this April !

For three full days this spring, I'll once again be providing painting demonstrations each day (completed from start to finish), followed by sessions of instruction and critique, as students are given opportunity to paint from life.

Participants in this workshop will explore:

Composition: Prepositioning the subjects, to create interest in the still life

Drawing: The importance of a sound start

Color: Giving attention to temperature
Value: Making the most of limits

Edges : Creating movement in the still life

To register, contact me directly at: danieljkeys@danielkeysfineart.com

Workshop fee: $350.00 (U.S.D.)

Don't miss your opportunity to personally paint with me this Spring, and build the necessary skills for a better painting experience!

New DVD Release!

2010-12-07T02:37:00.000-08:00

PRE-PUBLICATION ONLY $65*
Offer Expires Dec. 31, 2010

Release Price is $85*, for a total savings of $20.
*Price Listed does not include shipping & handling costs.

Click here to order your DVD today!

Preview the DVD on youtube!

Review by producer Ralph Liliedahl

"I recently had the good fortune to film artist Daniel Keys as he painted several alla-prima oil demonstrations in my studio. Daniel is young, enthusiastic, energetic and extraordinarily talented. For those of you who not familiar with him, he was recently featured on the front cover of Art of the West along with a lengthy, associated article, and an outstanding article in Southwest Art. I'm sure that most of you know that these "western" magazines specialize in Western Art, so for them to feature Daniel's still life painting is a great compliment to the quality of his composition and painting ability and most unusual and out of the ordinary.

While Daniel's oil painting ability is already outstanding, he has been invited to study with Master Artist Richard Schmid on a regular basis. At the age of 24, this is sure to improve his, already, masterful skills in the coming years, including not only the beauty of his paintings but his skillful and articulate verbal explanations of his painting process.

Don't miss the chance to see Daniel paint this beautiful still-life and to learn his approach and execution methods. Although young in age, his command and knowledge of oil painting is way beyond his years and will bring you not only the pleasure of seeing him work, but an unusual depth of knowledge that he so willingly provides."

For more information about Daniel, please visit his website at: www.danielkeysfineart.com

-Ralph Liliedahl
Review Copyright 2010 by Ralph Liliedahl, All Rights Reserved. No part of this review may be used or published without the written permission of the author

New Article in Workshop Magazine

2010-09-20T23:48:00.000-07:00

Look for a twelve page feature article in the Fall issue of American Artist's "Workshop" Magazine, describing in detail the recent workshop I taught in Putney Vermont. Featured throughout the article -written by Allison Malafronte- are some wonderful photos taken by my good friend Lori Woodward.

Recent trip to Denver

2010-09-20T23:44:00.000-07:00

I recently had the privilege of flying out to Denver Colorado, to be with fellow artists Quang Ho, Kate Sammons, and Tony Hochstetler, for our group show, "Four Objectives", at Gallery1261. The show was a tremendous success, with many artworks selling, and we a great turnout for Quang's and my duel-demo.

Some guests admiring my recent works during the show.

A couple closely inspecting a masterpiece by Quang Ho.

Quang and me, during our duel-demo the day after the show's opening.
(Photo courtesy of artist Ken Elliott)

Gallery1261 is located in the heart of Downtown Denver, near museums, the public library, and a great little restaurant called "Palettes". Public art installments are within sight from almost every corner of this particular area.

The show will hang through October 9Th. For more information, please visit www.gallery1261.com

Workshop at the Scottdale Artist School

2010-08-02T17:12:00.000-07:00

Learning to See: Steps to Painting the Alla Prima Still Life

Location: Scottsdale Artist School

Nov 15-19, 2010

Meets 9:00 AM-4:00 PM
on Mon Tue Wed Th Fri

Tuition: $585.00

Level: All Levels

Status: Registration opens 8/5/10 9:00 AM MST

Each day, Keys will do a demonstration while discussing the skills necessary for creating beautiful still life paintings using "Alla Prima" methods. Following each morning's demo, the students will set up still life compositions of their own, and paint them from life, while receiving one-on-one instruction. During this extensive course, the students will receive insight into learning to see correctly, and develop an adeptness in the following areas: Composition, drawing, color, value, and edges.

For more information please visit the school's site www.scottsdaleartschool.org

October Still-life Workshop

2010-07-06T21:40:00.000-07:00

Three-day Still-life Workshop
In Vermont This Autumn
~
October 20th - 22nd

"Antique Clock with Pumpkins"
2009
16" x 20" Oil on linen

~Autumn Inspiration: Still-lifes that reflect the season in oil~

Register for another three-day painting experience, in Putney Vermont this October!

For three full days this Autumn, I'll once again be providing painting demonstrations each day (completed from start to finish), followed by sessions of instruction and critique as students are given opportunity to paint from life.

Participants in this workshop will again explore:

Composition: Prepositioning the subjects, to create interest in the still life

Drawing: The importance of a sound start

Color: Giving attention to temperature
Value: Making the most of limits

Edges: Creating movement in the still life

The Workshop will be held each day in the "Village Arts Barn": A large and conveniently located building in Putney Vermont, where the well known painting group, "The Putney Painters", meet.

Class is limited!
Cost is $350 per participant
A materials list, along with a list of recommended hotel accommodations, will be provided post signing up. (students are required to bring their own painting materials, and make hotel reservations.)

For more information, and to register, contact me directly at: danieljkeys@danielkeysfineart.com

Don't miss your opportunity to personally paint with me this Autumn, and build the necessary skills for a better painting experience!

Recently Sold!

2010-03-31T01:34:00.000-07:00

This is a recent work to come out of my studio, and has just sold through Greenhouse Gallery.

"Teacup with Blossoms"
2010
16" x 12" Oil on linen

Event Photos

2010-03-31T01:10:00.000-07:00

Photos of my recent two-person show - and painting demo - at Greenhouse Gallery of Fine Art in San Antonio.

The show was a tremendous success, and I happily met many of my fans and art collectors.

(Note: all photos courtesy of Jason Smith, and Greenhouse Gallery of Fine Art)

Beginning the demo while answering questions.

Fellow Artist - Cesar Santos.

Speaking with collectors during the evening reception.

Cesar, with collectors.

A great turn out for the afternoon demo.

Wrapping up.

New Works!

2010-02-27T02:06:00.000-08:00

"Yellow Squash with Turnips"
2010
11" x 14" Oil on linen

"Wild Flowers"
2010
6" x 6" Oil on linen

"Pumpkins"
2009
24" x 36" Oil on linen

"White Azaleas with Pansies"
2010
8" x 8" Oil on linen

"Antique Chinese Jar"
2010
36" x 18" Oil on linen

These and additional works will be exhibited as part of my two-person show at Greenhouse Gallery of Fine Art
March 2ND through 19Th
2010

www.greenhousegallery.com

Art of the West

2010-02-25T15:09:00.001-08:00

Look for the March/April issue of Art of the West magazine at your local Barnes and Noble, or Borders bookstores, with my painting "Summer Still Life on it's cover (originally supposed to feature "Hydrangeas and Peaches").

The author, Vicky Stavig, did a marvelous job with the article, and the spread features eight of my recent works.

May 2010 Still Life Workshop

2010-01-24T00:53:00.000-08:00

Three-day Still Life Workshop
In Vermont this Spring

~
May 12Th - 14Th

"White Pumpkin with Vines" 2009

~ Exploring the Still Life in Oil~

Sign up for this three-day painting experience, in Putney Vermont!

For each of the full three days, I'll be providing painting demonstrations (completed from start to finish), followed by sessions of instruction and critique as students are given opportunity to paint from life.

Participants in this workshop will explore:

Composition: Prepositioning the subjects, to create interest in the still life

Drawing: The importance of a sound start

Color: Giving attention to temperature
Value: Making the most of limits

Edges: Creating movement in the still life

The Workshop will be held each day in the "Village Arts Barn": A large and conveniently located building in Putney Vermont, where the well known painting group, "The Putney Painters", meet.

Class is limited to only fourteen students!
Cost is $350 per participant
A materials list, along with a list of recommended hotel accommodations, will be provided post signing up. (students are required to bring their own painting materials, and make hotel reservations.)

For more information, and to register, contact me directly at: danieljkeys@danielkeysfineart.com

Don't miss your opportunity to personally paint with me this year, and build the necessary skills for a better painting experience!

Upcoming Article!

2010-01-13T12:20:00.000-08:00

Look for my work in - and on the cover of - the March/April 2010 issue of Art of the West Magazine!

"Hydrangeas and Peaches" 2009

The editors of Art of the West have selected eight of my painting's images to correspond with a feature article about me, and an additional work - "Hydrangeas and Peaches" - to grace the issue's cover.

Look for the magazine at your local bookstore soon!

-DK

New Works

2009-11-05T20:03:00.000-08:00

"Willow Teacup & Fruit"

2009

10" x 20" Oil on linen

"Azaleas"

2009

24" x 12" Oil on linen

"Harvest Still Life"
2009
24" x 24" Oil on linen

"Petunias"
2009
8" x 10" Oil on linen

Weekend With the Masters' Highlights

2009-09-17T02:14:00.000-07:00

Highlights from my experience at American Artist's first annual "Weekend With the Masters" conference.

Quang Ho during a morning workshop

Frank Serrano, Nancy Guzik, and Myself goofing around

Portrait demo by Jeremy Lipking

Quang Ho demonstrating during a lecture

Richard Schmid and Me 2009

To view more photos: Visit my Facebook page and send a friend request... Daniel's Facebook

New Paintings!

2009-09-17T02:06:00.001-07:00

"Roses"
2009
12" x 6" Oil on Linen

"Season's End Bouquet"
2009
16" x 16" Oil on linen

FineArtViews Painting Competition

2009-09-17T01:36:00.001-07:00

Best of Show from the August 2009 Competition!

"Summer Still Life"
24 x 26 Oil on linen

Visit the "FineArtViews Painting Competition" site to see all winners
More...

New Paintings!

2009-08-25T13:12:00.000-07:00

"Summer Still Life"

2009
24" x 26" Oil on linen

"Blue and White Teacup with Citrus"
2009
12" x 12" Oil on linen

"Chris"
2009
16" x 20" Oil

10 Key Elements of a Professional Art Portfolio

2009-08-25T12:40:00.000-07:00

As recently requested by some of FineArtViews' devoted readers, I’ve decided to share my experience of putting together a competent and effective artist’s portfolio intended to be presented to an art gallery.

Recently having my work accepted into one of this nation’s largest and most prominent art establishments, I’ve learned that putting my best foot forward - especially when it comes to submitting my work indirectly - is fundamental to my success...

Continue Reading...

New Paintings!

2009-07-27T08:11:00.000-07:00

"Grapefruit with Teacup"
2009
10" x 10" Oil on linen

"Hydrangeas with Peaches"
2009
20" x 16" Oil on linen

"Summer Fruit with Flowers"
2009
10" 20" Oil on linen

My New Gallery

2009-07-25T20:28:00.000-07:00

After researching the top galleries in the country, looking for the those that feature the highest standard of quality in art and service, I'm pleased to announce that my work will now be regularly represented by - and available through - Greenhouse Gallery of Fine Art, in San Antonio Texas!

From the gallery's website:

Greenhouse Gallery of Fine Art is a traditional gallery featuring nationally and internationally recognized artists, many featured in fine museums and prestigious collections. As one of the most respected galleries in the United States, Greenhouse Gallery has combined traditional art experience with the expansion to a 12,000 square feet location to create one of the largest retail fine art galleries in the country.

Experience the emotion and exceptional quality captured in fine oil paintings by 21st century masters.

This is an exciting step for me in my art career, and I feel that it's going to be a great collaboration spanning many years to come.

Please take the time to visit their website www.greenhousegallery.com, and look for my new work featured on the site in the weeks to come!

Discovering What Makes Your Art Unique

2009-07-15T13:21:00.000-07:00

While being interviewed over the phone recently for an upcoming feature in SouthwestArt magazine, I suddenly found myself bemused and perplexed at my inability to intelligently answer a question posed by the woman on the other end of the line. It was a seemingly simple but very specific question that, although requiring an immediate answer, was not altogether uncomplicated in its design to produce what I felt should be a profound statement from me. While I admit that I thought a clever answer would never come to mind, at my earnest request I was graciously given some time to brood over the elusive inquiry and then get back to her.

The question: “What about your work do you feel is most interesting?”

Continue reading on FineArtViews ...

Believing in What You Do

2009-07-11T18:19:00.000-07:00

Anyone can do what it takes to improve their artistic and marketing skills, but not everyone will. All the more reason for you to get out there! When we become believers in what we do, others will be converted – they too will begin believing in the quality and significance of our work, and the sales will come! . . .

Continue reading on FineArtViews.com

"21 under 31"

2009-07-02T16:31:00.000-07:00

Look for me and my work featured in SouthwestArt Magazine this September as part of their annual "21 Emerging Artists Under 31".
This prestigious competition showcases this year's top emerging artists in the country, and I've been selected as one of them!

www.southwestart.com

Five Steps to Successful Networking for Artists

2009-06-23T17:49:00.000-07:00

"I sometimes wonder: What would great master artists of old have thought of today’s technology and how it’s impacted the craft that we share along with them; How would this technology have affected them and their ability to market the great masterpieces that they created, and connect with like-minded artists of their day; and would more secondary artists have advanced further in their skill if they’d had had opportunity to chat with the likes of Michael Angelo via facebook? . . ."

Continue reading on FineArtViews.com...

Nurturing Right Connections

2009-06-19T23:08:00.000-07:00

My recent FineArtViews.com article. Enjoy!

"So, a friend of mine finds a strange looking egg while taking one of his daily walks not long ago. After viewing the egg down at his feet - and wondering how it escaped it's nest and landed right in the middle of the trail he frequented - he came to the conclusion that it was an abandoned duck egg; and of course being the animal lover that he is, decided to make an attempt at hatching the egg by placing it in a nest located in one of the many chicken coops that sit on his vast property. . . ."

Continue reading...

New Painting!

2009-06-13T00:40:00.001-07:00

"Summer Flowers with Teacup"
2009
10" x 20" Oil on linen

A new favorite painting of mine that has become dear to my heart.

Some will see flowers; some a teacup; and some a well thought out composition; But as for me, I see the hearts of generous friends - and I feel truly blessed. :)

Informed Collector

2009-06-09T23:57:00.000-07:00

I and my work were featured in the June 9Th mailing of the Informed Collector!

Informed Collector is a free daily e-newsletter by Clint Watson, providing art collectors with what they need - information; it puts a daily focus on artists that collectors should know about, and also features art collecting resources, tips and commentary.

View the e-newsletter here Informed Collector
While there, be sure and subscribe to the newsletter for updates about today's most collectible artists!

-Daniel

My Daily Routine

2009-06-04T19:11:00.000-07:00

My latest article "My Daily Routine" was recently published on the "20 Hour Studio Challenge" website.
The Art Worlds latest movement "20 HSC" was created by my friends Clint Watson and Lori Woodward Simons for the purpose of encouraging artists to spend an adequate amount of time in their studios - in the actual process of creating their work.

Check it out here 20 Hour Studio Challenge

-Daniel

American Artist Magazine Article Now Online!

2009-05-26T09:54:00.000-07:00

M. Stephen Doherty's article about me and my work featured in the July/August issue of American Artist Magazine is now online! View the compelling article, along with highlights from the entire issue here!

American Artist July/August 2009 Issue

2009-05-08T01:30:00.000-07:00

As an artist, I find that there is nothing quite so encouraging as knowing that your peers and mentors are taking note of your work, and admonishing you for your artistic efforts. Not only does it confirm that you are headed in the right direction with your endeavors, but it also gives you a sense of being cheered on while moving forward into new territory.

One of the many ways that those who are a crucial part of the "Art World" today show their appreciation for [and recognition of] contributions made to the production, development, and furthering of art, is by promoting an artist's work [deemed worthy of such affections] through one or more of their many publications.

That being said, I am very excited, and completely honored to be sharing with each of you the following good news:

A detail portion of my recent painting, "Tea Still Life", will be gracing the cover of the July/August 2009 issue of American Artist magazine!

After many hours spent developing a cover design for this particular issue, the outcome is, in the words of one member of the American Artist's staff...

"One of the finest covers I have ever seen on our magazine in the years that I've worked here."

Please, be sure and get your copy of the July/August 2009 issue of American Artist magazine, on sale June 2ND!
Along with the cover photo is a feature article written by the magazines own Editor in Chief, Steve Doherty, containing full color photos of many of my most recent works.

-Daniel

New Painting!

2009-05-08T01:27:00.001-07:00

"Blue Birdhouse"
2009
21" x 20" Oil on linen

New Painting!

2009-04-02T07:58:00.000-07:00

"Last of the Pink Narcissuses"

2009

8" x 12" Oil on linen

These are some of the last remaining narcissus blooms that were in my garden. I just had to immortalize them in a painting. -Daniel

"Weekend with the Masters"

2009-03-31T22:21:00.000-07:00

American Artist and Interweave Press will be hosting one of this Fall's most exciting art related events, namely the "Weekend with the Master's Workshop & Conference".

Designed to bring together top master artists from around the country; to instruct, inspire, and to give artist's of all levels great insight, accumulated from many years of disciplined experience. Only during this event will so many informed masters be in one place, conducting workshops, lectures, panel discussions, and special events, over the course of four full days.

Master Artist's include:

Richard Schmid

David A. Leffel

Sherrie McGraw

Daniel F. Gerhartz

Jeremy Lipking

Quang Ho

Scott Christensen

Jacob Collins

Scott Burdick

Susan Lyon

...and many more!

This is an excellent opportunity to experience first hand the kind of knowledge, and skill, that can only be gained by spending time connecting with master teachers, and other like-minded artists. If you're serious about your artistic growth and development this year, you won't want to miss this event!

All the best!

-Daniel

For full details on the event, visit http://www.aamastersweekend.com/

American Artist's Blog

2009-03-31T11:48:00.000-07:00

Be sure and check out American Artist's editor, Steve Doherty's, blog today, and read his post "Connecting With Each Other, In Person and Electronically". It's in regards to the upcoming July-August issue of the magazine!

American Artist Blog

American Artist Magazine

2009-03-24T00:18:00.000-07:00

As my friends and family will tell you, one of my favorite things to do is read. Just put a good cup of coffee in my hand, dump me off at Barnes & Noble, and I'm the happiest guy in the world. And while I've enjoyed many a good piece of classic literature, I also often find myself thoroughly devouring art magazines. They aren't exactly considered exhaustive reading, but are often times (for me and countless others) chock full of advice, inspiration, and images of beautiful masterpieces, given and created by the top Master Artists of today. It is then with great pleasure that I share with you some most excellent news: The July-August issue of "American Artist" magazine (one of this nations top rated artist publications), will be featuring an article of me and my work! Be sure and get your copy of this issue, available wherever art magazines are sold, the end of May. For more information about "American Artist" visit their site http://www.myamericanartist.com/

New Painting!

2009-03-06T17:31:00.000-08:00

"Daffodils"
8" x 16" Oil on linen

"Narcissus Sketch" Demo

2009-02-23T17:01:00.000-08:00

"Narcissus Sketch"

11" x 14" Oil on linen

Happy Holidays

2008-12-25T12:07:00.000-08:00

Have a great Christmas everyone, and a wonderful New Year too!

-Daniel

Alla prima

2008-12-24T23:58:00.000-08:00

al⋅la pri⋅ma [ah-luh pree-muh]
–noun Fine Arts.

a painting technique in which a canvas is completed in one session, often having a thickly applied impasto.

Origin:
< It: lit., at the first

Learning to See

2008-12-22T12:50:00.000-08:00

As artist's it is essential that we be constantly expanding our minds, especially where our creative skills are concerned. Whether your already an accomplished painter, or just beginning on your path to artistic excellence, there is always more to learn, and higher levels of perfection to aim for.

Study good art

We should always be improving and growing, and there are several ways of doing this. One way in particular stands out to me, mostly because it is so often underestimated, and therefore over looked: Studying good art.

By "good art", I mean work (whether paintings, sculpture, or any other medium used to convey a message) that is created by accomplished artists who have proved themselves to be the best at what they do. "Master" is the title often given to such a person, and rightly so: They've established themselves as worthy of the title through many years of study, and devotion of their lives to their craft.

Not having had the privilege of studying under a great master artist, but endeavoring still to increase my knowledge where painting is concerned, I've had to generate methods of teaching myself, and as a self taught artist, I've found it necessary [for my growth] to study works of art that not only inspire me, but are also executed extremely well. I know that through careful observation of these masterpieces, I can learn to “hone in” on my own painting skills, and benefit from what the artist has already tried and proved in their own work.

Your eyes are gates

By "Study", I'm not referring to casual glances, but rather, careful and in-depth scrutiny of masterful artwork.

We must understand that the more focus we place on observing good artwork, the more our own will begin to improve. The reason for this is quite simple: When studying art, such as a painting, our minds store the information gathered while viewing the piece, and the longer we look at it, the more we'll see. As we then endeavor to create our own works of art, we subconsciously make decisions based on the information we've received.
Basically, the art that we spend the greatest amount of time screening, will most influence the decisions we make while painting (or sculpting, etc.).

For example: Have you ever read a fashion editorial, and later found yourself in the middle of a department store buying an article of clothing that closely resembled what you saw photographed on a model in that particular publication? You probably would have chosen something completely different were it not for your liking the way it looked in the magazine, and analizing those photographs influenced your decision where your attire investments were concerned.
Why is it that millions of dollars are spent every day by large companies on television commercials? Because those companies know that if you view their advertisements long enough, and frequently enough, you'll be more apt to invest in their products. They know that your eyes are like gates, and images can be used to enter into your thinking. We should take on the same mindset when it comes to art. The more time you spend studying it, the more it will begin to show through in your own work, and influence the decisions you make, good or bad.

"Don't watch something you don't intend to do yourself"

That's what I was told growing up as a child, where my television viewing choices were concerned, and you know, it's true. If you put something before your eyes long enough, chances are you'll eventually find yourself acting it out. That can be a good thing, or it can be bad.

I say good or bad, because it works whether you’re observing an exceptional piece of art or something created with no real skill ever developed on the artist's part. We must be conscious of this, if we desire to take our work to the next level.

Some questions to ask yourself when viewing a piece of art

What is the artist trying to say?
What is the focal point of the composition?
What techniques have been used by the artist to create the specific look of the painting?
How would I have painted this piece?
What use of drawing, value, color, and edges has the artist made?
By asking ourselves these simple questions about every work of art we examine, we learn to really see, and then take from it the information we need to be successful in our own work. It's from these images stored in our brains that a foundation is formed for our creative knowledge to be built upon. After all, a good design for a painting means nothing unless you have the knowledge and skill it takes to execute it in a way that will satisfy you.

Happy Studying!

This Month's Recommended Reading

2008-12-16T01:03:00.000-08:00

"Monet"
By Sandro Sproccati
(Hardcover)

Out of print
Used copy available through Barnes & Noble

"Richard Schmid Paints Landscapes: Creative Techniques In Oil"
By Richard Schmid
(Hardcover)

Out of print
Used copy available though Amazon

"Norman Rockwell
332 Magazine Covers"
By Christopher Finch
(Hardcover)

Available here

Henri Fantin-Latour: The Still Lifes

2008-11-28T00:32:00.000-08:00

"Asters And Fruit On A Table" 1868

Born in Grenoble, France, and receiving an artistic education at a very young age from his father Théodore, Ignace Henri Jean Théodore Fantin-Latour (1836-1904) began his career as a traditional painter, and studied in the Louvre, making copies of old master paintings. He later worked in Gustave Courbet's studio, where he drew and painted from live models. Fellow painters Edgar Degas, Edouard Manet, and James McNeill Whistler were among his friends. In 1859 he paid the first of many visits to London, where he exhibited at the Royal Academy of Arts from 1862, and the following year he showed at the Salon des Refusés in Paris because his paintings had been rejected by the official Salon. Moving away from the academic approach however, he began to give more place to his romantic visions, and focused a great deal on capturing the momentary beauty of flowers (along with various inanimate objects) through painting still lifes.

Cut flowers, because of their being short lived, are considered by many as symbols of mortality; Though hauntingly beautiful, they inevitably fade with the passing of time, not unlike our lives here on earth. By expressing sensitive awareness for these mere mortals, one can at the same time feel in touch with a more lasting reality; A reality of hope (Have you ever surrounded yourself by nature, and suddenly felt the urge to speak to God?).

Fantin-Latour was among those captivated by the simple beauty of flowers, and he was a celebrated master at painting the subtle effects of light, illuminating simple subjects, as seen in "Plate of Peaches" (right). The fruit in this piece is done splendidly, with a great understanding of edges. Also, note the simplistic composition; Just three peaches, resting on an unadorned plate, glowing against a dark background that seems to continue up to the top edge of the painting, revealing no breaks in color, or further detail.

"Roses In A Glass Vase" and "Roses And Nasturtiums In A Vase", the two paintings below, show the same careful attention to light and shadow, on a subject that often found a place in Fantin-Latour's still lifes. Latour very frequently incorporated these treasured flowers into his work, with great success. He applied thick strokes of paint to every petal; And created variation of color, by adding different colors to the brush, without blending: A technique that, when mastered, results in a luminous effect, causing the flowers to appear life-like, and glow against a rather muted background.

Latour painted modern subjects realistically and expressed a sense of time momentarily arrested. In his works one can see a direct relationship between the artist and his subjects, and take away a sense of appreciation for the objects shown, and the stories behind them.

"Capucines" 1893

"Bouquet de fleurs" 1889

"Still Life With Flowers" 1881

"Still Life With Flowers And Fruit" 1866

2008-11-26T15:43:00.000-08:00

HAPPY THANKSGIVING

"Freedom From Want" by Norman Rockwell

"Saying Grace" by Norman Rockwell

A Closer Look At Linen Canvas

2008-11-24T23:42:00.000-08:00

Just as you are what you eat, your art is whatever you've used to create it; An Artist's technique is only as good as the materials he or she has readily available. Does that mean that if you have the best paint, or most expensive brushes, you'll suddenly posses the ability to paint like the (recognized) Masters of your particular craft? Certainly not; It still requires a great amount of knowledge, and skill, to be the best you can possibly be; But the right equipment can most definitely assist you in achieving your artistic goals.

Some Fact's About Linen

The Flax Plant is an annual, with stalks reaching from 20 to 40 inches in height, and spear shaped leaves, branching only at the top, each branch ending in a vivid blue flower (see photo). Note: The seeds of the flax plant are known as linseed, and we know linseed oil to be the most common base for oil paints.
Linen Canvas is made from the long (and extremely strong) fibers that originate from this plant, and is very expensive to manufacture. It is harvested by hand, and continues through a lengthy process to become the finished product that we're accustomed to seeing: Sitting on the shelves of our local art supply store, ready to be primed and/or painted on. The best quality linen is produced from the best quality flax; And the best flax comes from Belgium, or France, because of the prime growing conditions of those particular regions. It also repels dirt, and is moth resistant.

Linen Canvas is widely known for it superior quality, and strength. Throughout the years it has proven to stand the tests of time with the greatest durability, and the master artist's of old recognized it as the prime surface to adhere paint to; Resulting in the wealth of extraordinary works of art that we are privileged to view, appreciate, and emulate, even to this very day. Thus the desire to have the best quality available (when it comes to choosing my art supplies), has become a driving force in me. My paint, canvas, and brushes, must meet these standards of quality, not only for my work to look the way that I've intended (though it is of great importance to me that it does), but also for each piece of art to have maximum longevity.
As a collector, you also should never allow such matters to be overlooked. Quality of material should dictate to whether or not you invest in a painting (or any other work of fine art), because should you (depending upon the value of your investment) wish to resell the piece, or pass it on to your heirs, it must be able to remain intact, and maintain it's integrity throughout future years. Linen Canvas has certainly been put to the test, and I believe that it's reputation (for being the best) will continue to live on for centuries to come, and through paintings yet to have been created.

The Winter Landscape: With Snow!

2008-11-20T22:02:00.000-08:00

How I wish it would snow where I live; If only to have opportunity to capture beatiful scenes on canvas, such as these by the artists I admire most.

"The Magpie" (top) has always been a particular favorite painting of mine. It's creater is none other than Claude Monet (1840-1926), the name most associated with Impressionism today. Monet endeavored to render the fleeting affect that sun and shadow created in this icy landscape, on location near Etretat, using pale colors, and suptle tonalities; Notice the importance placed on the shadows in the forground snow, adding interest to the composition.

Though rejected by the jury of the 1869 salon (just five years before the first Impressionist exhibition in 1874), this piece still garners praise today, by artist's and art lovers accross the globe (and rightly so).

Like Monet, Alfred Sisley (1839-1899), an associate of Monets, painted snow covered landscapes using an inpressionistic brushstroke technique. Though not nearly as popular, Sisley was none the less an exceptional artist, whose critical work has greatly contributed to the art world, as his panting "Snow at Louveciennes" (right) makes quite clear. From viewing this piece, one can accurately see his unique sensitivity, and use of color harmony.

Lastly, a contemporary master, Richard Schmid (b. 1934-) often paints the snow laden locale of New England (among other seasonally frozen terrains, found in the US). Though I haven't been informed as to where this particular "Victorian Winter" (above left) took place, it is, in and of itself, captivating; A hauntingly beautiful piece depicting an old Victorian abode covered with fresh snow. Another of Schmid's many wintery landcapes of note, is "Snow Maples" (below).

As I learn to accept the gross lack of frozen water desending from above my part of the country (with the help of friends in colder climates, offering to package a snowman and send it my way), I will continue dreaming of removing myself from this golden state, if only for a moment, to a much colder place, paint brush in hand, ready to capture, and keep, snow laden memories of my own.

-Daniel

Recommended Artist

2008-11-18T23:56:00.000-08:00

Casey Baugh

Casey is a talented young artist, whose work is garnering it's fair share of attention and acclaim these days, and rightly so. His work has the elegant look of an accomplished painter, and his subjects (mostly portraits and figures) are executed in oil with a masterful hand, and give the viewer a feeling of grace and power. You can view his work in two recent magazines...

The November edition of American Art Collector, and...

The December issue of The Artist's Magazine.

To learn more about my friend Casey, and see recent work, visit his website http://www.caseybaughfineart.com/

My Newest Painting!

2008-11-17T16:43:00.000-08:00

"Tea Still life"

24" x 30" Oil on linen

Still Life

2008-11-17T16:39:00.000-08:00

–noun, plural still lifes.
1. a representation chiefly of inanimate objects, as a painting of a bowl of fruit.
2. the category of subject matter in which inanimate objects are represented, as in painting or photography.

Origin:
1635–45

This Month's Recommended Reading

2008-11-15T12:33:00.000-08:00

"The Art Book"
by Phaidon Press, Susan Stirling, Claire Van Cleave
(Paperback - Miniature Edition)

Available at http://www.bn.com/

"Alla Prima: Everything I Know About Painting"
A standard in classical art education.
by Richard Schmid

Available at http://www.richardschmid.com/

"Sargent and Italy"
by Bruce Robertson, Ilene Susan Fort, Jane Dini

Available at http://www.bn.com/

My Palette

2008-11-14T22:33:00.000-08:00

After much study, and testing, these are the basic colors of my palette. I find that from this collection of fine "artist" grade oils, I can create just about any color needed to realistically paint my subject; Whether it's a still life, landscape, or figure, these time tested paints have stood by me throughout the years, and have proven to be of the best quality available.

Windsor & Newton

Alizarin Crimson*
Cadmium Red*
Permenant Rose
Terra Rosa
Titanium White*
Yellow Ochre Pale*

Rembandt

Cadmium Lemon*
Cadmium Orange
Cadmium Yellow Deep*
Cadmium Yellow Pale*
Cobalt Blue light
Transparent Oxide Brown*
Transparent Oxide Red*
Ultramarine Deep*
Viridian*

A * indicates colors always on my palette

American Art Collector Magazine

2008-10-23T12:23:00.000-07:00

Be sure and check out this months issue of "American Art Collector" for an article featuring some of Richard Schmid's most recent works. Along with being my favorite artist, and the biggest influence in my painting career (though we've yet to actually meet), he is an internationally recognized Master Artist, and his works have been featured in countless publications.

For a complete biography, and more information about Richard's work, visit his website http://www.richardschmid.com/

"Walpole Farm" Oil 16"x20"

"Maple Leaves & Flowers" Oil 16" x 20"

http://www.americanartcollector.com/

Some Of My Recent Paintings

2008-10-23T12:08:00.000-07:00

"September Pansies"

10" x 10" Oil on linen

Every Autumn, I eagerly await the arrival of these little gems at my local nurseries. They have such a delicate look, but are rather strong as small flowering plants go. They weather it out each Winter, and bloom profusly through Spring. I love them!

"Gray Afternoon"

2008-10-23T11:49:00.000-07:00

10" x 10" Oil on canvas

Ever since I was a small child, I loved rainy afternoons. They make you want to stay inside and read by the fire. Of course you have to venture out into the rain every now and then, especially to capture the moment in a painting. Fortunatly, I could do this piece from the comfort of my studio, using refrences, and paying close attention to an inspiring painting, by one of my favorite artists.

"Library"

2008-10-23T11:44:00.000-07:00

8" x 10" Oil on linen

I really wanted to paint the teacup in a different way than I usually do. I feel that I succeded in capturing a likeness of the cup, while still giving the composition interest.